Silverchair in 1995
The members of Silverchair were all born in 1979 and grew up in the Newcastle surf suburb of Merewether. Singer/guitarist Daniel Johns and drummer Ben Gillies started playing music together at primary school and schoolmate Chris Joannou later joined on bass. In the group’s early days they were called Innocent Criminals and their repertoire consisted mainly of Led Zeppelin, Deep Purple and Black Sabbath songs they had learned from their dads' old record collections.

The trio played many shows around the Hunter Valley region in their early teens. They got their big break in mid-1994 when they won a national demo competition called “Pick Me” (conducted by the SBS TV show “Nomad” and alternative radio station Triple J) with a song called "Tomorrow". Triple J recorded the song, while SBS filmed the video clip.

At this stage the band called themselves "The Innocent Criminals". "Tomorrow" came to the attention of Michael Tunn who hosted a request show called the "Request Fest". It was the most requested song in the shows history, even though the Band had no distribution deal. The popularity quickly landed them a recording contract with Sony Music after an intense bidding war between all of the major record companies in Australia. A rushed release of the Triple J demo version was in stores within days of the signing of the deal.

The song spent six weeks at #1 on the Australian singles charts and in 1995 a new version of the song and video was recorded for the U.S. release and it became the most played song of the year on U.S. modern rock radio. While the demo version is better known in Australia, in America the version on Frogstomp is better known.

Frogstomp, Freakshow and Neon Ballroom
Silverchair’s debut album “Frogstomp”, recorded in just nine days in early 1995, was a raw sounding slab of post-grunge alternative rock. A #1 hit in Australia and New Zealand the disc went on to become the first Australian album since INXS to hit the U.S. top 10, selling more than 2.5 million copies throughout the world. As “Frogstomp” and “Tomorrow” propelled Silverchair to music superstardom through 1996 the group juggled memorable performances on the roof of Radio City Music Hall and tours with Red Hot Chili Peppers alongside full time schooling commitments back home in Newcastle.

The trio also found time that year to record their sophomore album Freak Show which was released early in 1997. A more adventurous piece of work than “Frogstomp”, this disc yielded three top ten singles in Australia - “Freak”, “Abuse Me” and “Cemetery”. “Freak Show” went gold in the United States and global sales eventually exceeded 1.5 million copies in spite of the fact that the band had to juggle world tours while trying to finish their final year of high school.

After finally graduating from school the band was able to spend much more time creating their next album, “Neon Ballroom” which was released in March 1999. The group’s songwriter, Daniel Johns had been battling personal demons as he attempted to adjust to Silverchair’s sudden success and he poured these experiences into his new batch of songs. Determined to shake the constant musical comparisons to Nirvana which had previously dogged his band, Johns attempted to create a truly original sounding album. Fusing heavy rock, orchestral flourishes and synthetic touches with powerfully emotional lyrics, “Neon Ballroom” was held by some as a huge creative leap for Johns and his bandmates.

Silverchair toured extensively in support of the album propelling it to even stronger worldwide sales than they had achieved with “Freak Show”. In Europe and South America it became the group’s most successful album to date due to the Comet Award winning “Ana’s Song” - a track about Daniel Johns’ battles with an eating disorder. The album is also notable for contributions by renowned Australian pianist David Helfgott.

The band toured Europe and the U.S. throughout 1999 including appearances at leading festivals such as Reading and Bizarrefest and tours with bands like Red Hot Chili Peppers and blink-182. After all this touring the band announced that they would be taking a 12 month break to recharge their batteries.

Having fulfilled their three album deal with Sony Music Australia the group was pursued by labels for much of their year off. At the end of 2000 they announced that they had signed new recording agreements with Atlantic Records for North and South America and their own indie label, Eleven: a music company in Australia and Asia. As a result of these new deals their former label rush released a compilation album without the band’s involvement. Silverchair performs on the Brazilian music festival Rock In Rio 3 Silverchair’s one and only gig in 2000 was a sold out appearance at Australia’s Falls Festival on New Year's Eve. It was followed on January 21, 2001 by the biggest show of their lives - 250,000 people at Rock In Rio - a performance which the band describe as the highlight of their career to date.

Diorama
In June 2001 the band entered a studio in Sydney with producer David Bottrill (Tool, Peter Gabriel, King Crimson) to start work on their fourth album, “Diorama”, which means “a world within a world”. This time Daniel Johns formally assumed the role of co-Producer and set out to extend the band further into unexplored musical territory.

A range of other musicians were drawn in to contribute to the disc, most notably the legendary Beach Boys and U2 collaborator, Van Dyke Parks who contributed orchestral arrangements to three tracks including a lush epic called “Luv Your Life”. Also helping out again were “Neon Ballroom” sidemen Paul Mac and Jim Moginie.

Silverchair fans got their first taste of “Diorama” when a single called “The Greatest View” was released to all radio networks in Australia in early December 2001 (although the Triple M network was the first to debut the song) The single was then released January 28th, 2002 to coincide with the band’s appearance on the Big Day Out Tour the single also included another new unheard "Diorama" track "Too Much Of Not Enough". The track displayed a fresh new sound showing yet another creative leap for the band – now rock veterans at the age of 22.

The enhanced melodic sensibility and newfound vocal confidence of “The Greatest View” attracted unprecedented radio support in Australia and drove the single to #1 on the alternative charts and #3 on the mainstream singles chart.

“No matter what people have got going on in their lives, hopefully when they play this album it will make them forget about everyday stuff. When music does that it’s magical and, for me, that’s what 'Diorama' is about”, said Silverchair’s Daniel Johns.

The album sees the Newcastle trio embracing melody and combining it with brighter lyrics. The album also explores a vast array of instrumentation and musical styles.

The resulting piece of work literally covers the whole musical spectrum – as its colourful cover suggest. It moves from edgy rockers “The Lever” and “One Way Mule” to sweeter tunes such as “After All These Years” and “World Upon Your Shoulders”. There are also melodic rock songs like “Without You” and the fantasia-esque epics “Across The Night” and “Tuna In The Brine”.

At approximately 2:50 into the song "The Lever" there is a backmasked message saying "Live your life under machine guns, canary down the mine".

“Diorama” entered the Australian charts at #1 in April and has gone on to sell over 140,000 copies (double platinum) in this country so far. It has also yielded the top 10 single “Without You” and the top 20 hit “Luv Your Life”. Silverchair (2002)





The album’s international performance has unfortunately been severely affected by the band’s inability to tour or do promotional appearances due to Daniel Johns’ ill health.

The singer/guitarist spent 2002 battling a severely debilitating case of reactive arthritis from which he is now recovering. Nevertheless, even without any of the usual promotional support the album reached #12 in Germany and inside the top 40 in numerous other countries including Holland, Sweden and Brazil. This didn't stop the members of Silverchair considering 2002 one of the most frustrating in their careers due to their inability to tour.